plantica

prostheticknowledge: Typode A simple font created by Santiago...

Sat, 16 Mar 2013 20:32:58 +0900

Typode

A simple font created by Santiago Ortiz with co-ordinates for creative coding effects and manipulation.

The demo works in your browser, which you can try here

moji: Early Toyota Emblem

Sat, 16 Mar 2013 20:29:13 +0900

moji:

Early Toyota Emblem

Photo

Sat, 16 Mar 2013 20:23:21 +0900

gaksdesigns: Land artist Richard Shilling.

Sat, 16 Mar 2013 20:20:41 +0900

gaksdesigns:

Land artist Richard Shilling.

platea: Bubble Tank by Psalt Design Fish tanks and aquariums...

Sat, 16 Mar 2013 20:18:12 +0900

platea:

Bubble Tank by Psalt Design

Fish tanks and aquariums are often the main attraction in a room, however it is usually the fish themselves that are the focal point rather than the tank. The Bubble Tank aims to question this by creating a beautiful, as well as functional, product aimed to provoke a reaction, conversation or interaction between the owner and any guests.

Made from premium glass, handblown and slumped by a master glassblower each tank has it’s own unique form and individual characteristics. Our aim was not for cheap mass production but for a celebration of skill and craft that is represented in a truly unique product.

Photo

Sat, 16 Mar 2013 20:16:19 +0900

neknee: TINE Melkerampa on Behance

Sat, 16 Mar 2013 20:11:47 +0900

neknee:

TINE Melkerampa on Behance

nuuknuuk: QLOCKTWO BY BIEGERT & FUNK

Sat, 16 Mar 2013 20:10:27 +0900

nuuknuuk:

QLOCKTWO BY BIEGERT & FUNK

yoosee: adrifts: “Classic children’s stories are timeless...

Sat, 16 Mar 2013 20:10:10 +0900

yoosee:

adrifts:

“Classic children’s stories are timeless windows into the human psyche. With their embedded kernels of life wisdom and lessons about our desires they can teach us much about what it means to be human. Christian Jackson, a “gun for hire in the design industry,” has created a personal project that beautifully distills the elements of these iconic stories down to their essential elements… still enough to be easily recognizable.”

童話表紙のデザイン。確かにひと目でなんの話か分かるものが多い。

"タクシーは乗る側も乗せる側も「拾った」って言うけどほんとはどっちが落ちてたんだろう"

Sat, 16 Mar 2013 20:07:41 +0900

“タクシーは乗る側も乗せる側も「拾った」って言うけどほんとはどっちが落ちてたんだろう”

- Twitter / penimama (via aso)

hydekick: (via 音節のビジュアル化をテーマにした前衛的な抽象アニメーション『こうこう』 - K’conf)

Sat, 16 Mar 2013 20:05:41 +0900

hydekick:

(via 音節のビジュアル化をテーマにした前衛的な抽象アニメーション『こうこう』 - K’conf)

tategaki-yoriyori291: 『５丁目ビル』の建て書き。玄関灯のカバーになっていて、夜には光る。非常口みたいな緑色...

Sat, 16 Mar 2013 20:00:53 +0900

tategaki-yoriyori291:

『５丁目ビル』の建て書き。
玄関灯のカバーになっていて、夜には光る。非常口みたいな緑色で。一番の注目ポイントは妙に低姿勢な「丁目」と、対照的にのびのびしている「ビル」。

shunta: スチャダラ通信 -...

Tue, 12 Mar 2013 21:07:08 +0900

shunta:

スチャダラ通信 - 散歩の途中で見つけたのだけれど、普通に読んだら「ハイツ・ノダ」なんだけど、これどこで切ってもいけるなと思って、けっこう好き。「〜は…

Dan Hoopert

Tue, 12 Mar 2013 21:03:34 +0900

Dan Hoopert

handa: c_47 on Flickr. 僕は田舎者なのである部分では本当に都会の子供たちはたくましいなと思います。

Tue, 12 Mar 2013 21:03:06 +0900

handa:

c_47 on Flickr.

僕は田舎者なのである部分では本当に都会の子供たちはたくましいなと思います。

nuuknuuk: Typomaps

Tue, 12 Mar 2013 20:59:15 +0900

nuuknuuk:

Typomaps

tokyotransfer: 醤油手帖第二弾です。今回は五大醤油・五大メーカー編と題して、五大醤油とは何なのか、五大醤油メーカー...

Thu, 02 Aug 2012 18:40:28 +0900

tokyotransfer:

醤油手帖第二弾です。今回は五大醤油・五大メーカー編と題して、五大醤油とは何なのか、五大醤油メーカーはどんな醤油を造っているのかを掘り下げました。醤油のレビューは前作と同じく20本になっています（正確には五大醤油のところは醤油レビューというよりは種類の説明の方が多いので、醤油レビューは15本です）

なお、表紙の五大メーカー様のロゴは許可をいただいた上で使用しております。この場を借りまして改めて御礼申し上げます。

(コミケ82での告知とお取り置きと - 醤油手帖から)

bookspaperscissors: Octave font, Ana Gomez

Wed, 01 Aug 2012 23:53:47 +0900

bookspaperscissors:

Octave font, Ana Gomez

hsgn: Typographic Gears (by Quasimondo)

Wed, 01 Aug 2012 23:51:47 +0900

hsgn:

Typographic Gears (by Quasimondo)

animalstalkinginallcaps: OH, HEY. THERE YOU ARE. THOUGHT I’D...

Tue, 10 Jul 2012 22:38:48 +0900

animalstalkinginallcaps:

OH, HEY. THERE YOU ARE. THOUGHT I’D LOST YOU. SORRY, I WAS IN THE CONTEMPORARY WING LOOKING AT THESE HORRIBLE BUTZER PIECES. IT’S LIKE THE NEW YORK GRAFFITI SCHOOL PURPOSELY WENT COLORBLIND AND STARTED APING A.R. PENCK. JUST REALLY HORRIBLE STUFF. PLUS I FOUND IT DIFFICULT TO ENTER INTO GIVEN THAT THE OPTICAL SUGGESTION OF BIOMORPHIC FORMS SPATIALLY UNDERMINES THE INTENDED DISJUNCTIVE PRETURBATION OF THE NEGATIVE SPACE.

ANYWAY, HOW WAS THE DEKOONING RETROSPECTIVE? WORTH A LOOK?